Classical Hollywood

El modelo clásico en cuestión: reconsideraciones sobre el cine de Clarence Brown

Film Studies / Film Theory / Film Analysis / Film History / Classical Hollywood / Filmmakers

Joan Crawford: creación de la working girl y continuidad de la \"Fórmula Crawford\"

Film Studies / Film Theory / Film History / Classical Hollywood / Stardom and Celebrity

El Two-Color Kodachrome y su inserción en The Light in the Dark (Clarence Brown, 1922): primera y única exhibición pública del proceso experimental de color en un largometraje comercial

Film Studies / Film Theory / Photography / Film Analysis / Film History / History of photography / Classical Hollywood / Film / History of photography / Classical Hollywood / Film

La chica del gobierno (Dudley Nichols, 1943)

Film History / Classical Hollywood / Classical Hollywood Cinema / Filmmakers

Hollywood y la justificación de la carrera armamentista americana

International Relations / International Relations Theory / Terrorism / International Studies / War Studies / Cultural Theory / Political Violence and Terrorism / International Politics / History of International Relations / Cinema / Classical Hollywood / Counter terrorism / War on Terror / Hollywood / Cinema Studies / Teatro / Politics and International relations / Relations Internationales / Cultural Theory / Political Violence and Terrorism / International Politics / History of International Relations / Cinema / Classical Hollywood / Counter terrorism / War on Terror / Hollywood / Cinema Studies / Teatro / Politics and International relations / Relations Internationales

Maurice Tourneur y el ocaso de la figura del director-productor en el Hollywood de 1920

Film Studies / Silent Film / Film History / Classical Hollywood / Silent Cinema / Early Film / Maurice Tourneur / Early Film / Maurice Tourneur

Louise Brooks: la creación del estrellato cinematográfico extemporáneo a través de los propios escritos sobre cine.

Film Studies / Silent Film / Film History / Classical Hollywood / Silent Cinema / German Expressionist Film / German Film / Louise Brooks / German Expressionist Film / German Film / Louise Brooks

Marlene Dietrich y su carrera post-Sternberg: evolución desde la actriz-técnico de fotografía hasta la actriz-auteur

Film Studies / Film Theory / Film Analysis / Film History / Cinema / Classical Hollywood / Cinematography / Hollywood / Cinema Studies / Classical Hollywood Cinema / Marlene Dietrich / Early and Classical Hollywood Film / Josef von Sternberg / Classical Hollywood / Cinematography / Hollywood / Cinema Studies / Classical Hollywood Cinema / Marlene Dietrich / Early and Classical Hollywood Film / Josef von Sternberg

Precious Images

Avant-Garde Cinema / Film Studies / Film Analysis / Film History / Classical Hollywood / Contemporary Hollywood / Experimental Film / Film and Media Studies / Experimental Film and Video / Contemporary Hollywood / Experimental Film / Film and Media Studies / Experimental Film and Video

Aportaciones historiográficas y estéticas a propósito de la co-autoría fílmica de The Last of the Mohicans (1920), de Maurice Tourneur y Clarence L. Brown

Film Studies / Film Theory / Film Analysis / Silent Film / Film History / Cinema / Film Aesthetics / Classical Hollywood / Film / Hollywood / Silent Films / Clarence Brown / Maurice Tourneur / Cinema / Film Aesthetics / Classical Hollywood / Film / Hollywood / Silent Films / Clarence Brown / Maurice Tourneur

Joan Crawford en Así ama la mujer (V.O.S.) (Sadie McKee). Una película de Clarence Brown

Film Studies / Film Theory / Film Analysis / Film History / Film Aesthetics / Classical Hollywood / Film / Hollywood / Filmmakers / Classical Hollywood / Film / Hollywood / Filmmakers

MAS ESTRELLAS QUE EN EL CIELO

Film Studies / Film History / Film Aesthetics / Hollywood Star System / Classical Hollywood / Film and Media Studies / Hollywood / Film and Media Studies / Hollywood

La representación de Julio César en Julius Caesar, de Joseph Mankiewicz

Literature and cinema / Classical Hollywood / Hollywood / Cinema Studies / Historia Julio Cesar / Metakinema. Revista de Cine e Historia

Hell’s Highway (Rowland Brown, 1932): crítica y denuncia social de los trabajos forzados en el sistema penitenciario del Sur estadounidense

Film Studies / Film Analysis / Film and History / Film Aesthetics / Classical Hollywood / Film and Media Studies / Pre-code Hollywood / Pre-Code Cinema / Film and Media Studies / Pre-code Hollywood / Pre-Code Cinema

La carretera del infierno (Hell’s Highway, Rowland Brown, 1932)

Film Studies / Film Theory / Film Analysis / Film History / Classical Hollywood / Hollywood / Classical Hollywood Cinema / Filmmakers / Hollywood / Classical Hollywood Cinema / Filmmakers

El discurso transgresor del cine de Rowland Brown (1931-1933): una breve carrera en el Hollywood Pre-Code

Film Studies / Film Analysis / Film History / Cinema / Classical Hollywood / Film / Cinema Studies / Hollywood Cinema / Pre-code Hollywood / Filmmakers / Pre-Code Cinema / Film / Cinema Studies / Hollywood Cinema / Pre-code Hollywood / Filmmakers / Pre-Code Cinema

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